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Black Phoenix: Third World Perspectives on Contemporary Art and Culture

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  • Kolektiv autorů

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Edited by Rasheed Araeen and Mahmood Jamal in the UK between 1978 and 1979, this publication is a pivotal document of transnational solidarity and cultural production across visual art, literature, and activism. It compiles all three issues of the journal into one volume. Emerging over a decade after the liberation movements of the 1960s and significant conferences advocating for solidarity among Africa, Asia, and Latin America, this work called for a liberatory arts and culture movement throughout the Third World. It placed diasporic and colonial histories at the forefront of an evolving anti-racist and anti-imperialist consciousness in late 1970s Britain, contributing to complex discourses on race, class, and postcolonial theory in the subsequent decade. The publication envisioned a horizon for Blackness that transcended racial binaries, resonating across the Third World and the West. Contributors include a diverse array of art critics, scholars, and writers from various countries, such as Rasheed Araeen and Mahmood Jamal (Pakistan), Guy Brett and Kenneth Coutts-Smith (UK), Ariel Dorfman (Chile), Eduardo Galeano (Uruguay), and many others from across the globe.

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Black Phoenix: Third World Perspectives on Contemporary Art and Culture, Kolektiv autorů

Jazyk
Rok vydání
2022
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Titul
Black Phoenix: Third World Perspectives on Contemporary Art and Culture
Jazyk
anglicky
Rok vydání
2022
Vazba
měkká
ISBN10
173653467X
ISBN13
9781736534670
Série
Anotace
Edited by Rasheed Araeen and Mahmood Jamal in the UK between 1978 and 1979, this publication is a pivotal document of transnational solidarity and cultural production across visual art, literature, and activism. It compiles all three issues of the journal into one volume. Emerging over a decade after the liberation movements of the 1960s and significant conferences advocating for solidarity among Africa, Asia, and Latin America, this work called for a liberatory arts and culture movement throughout the Third World. It placed diasporic and colonial histories at the forefront of an evolving anti-racist and anti-imperialist consciousness in late 1970s Britain, contributing to complex discourses on race, class, and postcolonial theory in the subsequent decade. The publication envisioned a horizon for Blackness that transcended racial binaries, resonating across the Third World and the West. Contributors include a diverse array of art critics, scholars, and writers from various countries, such as Rasheed Araeen and Mahmood Jamal (Pakistan), Guy Brett and Kenneth Coutts-Smith (UK), Ariel Dorfman (Chile), Eduardo Galeano (Uruguay), and many others from across the globe.