Surrealist sabotage and the war on work

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Focusing on the critique of wage labor, this art historical study explores international surrealism's response to work from 1920 to 1980. It delves into themes of automatism, diverse artistic media, radical publications, and social interventions, highlighting the movement's persistent call for non-alienated work. The examination reveals how surrealism engaged with and challenged the societal norms surrounding labor during this transformative period.