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Jagoda Bednarsky - SHADOWLAND ET AL

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Jagoda Bednarsky's (b. Zlotoryja, Poland, 1988; lives and works in Berlin) paintings are pop-cultural and nostalgic borrowings that she transfers into the grotesque register, with allusions to stereotyped role models between hypermasculinity and matriarchy. Unfurling pastel-colored hillscapes composed of breasts, breast pumps, vulvas, figures from Greek myth, and motifs from flora and fauna, Bednarsky's Shadowland series interrogates traditional ideas of femininity and motherhood. The depiction of the female breast serves as a metaphor referring to the titular " Shadowland," where this part of the body is still perceived as a sexualized object rather than as natural. The title, one might note, is borrowed from a culture magazine first published in New York in 1919 in which the artist spotted Art Deco illustrations that became a vital source of inspiration. Despite the dense aggregation of fraught symbols and referential gestures, the sensual, poetic, and richly imaginative works exude a lightness that stems from their translucency and subtle irony. Jagoda Bednarsky studied fine arts, first at Kunsthochschule Kassel (2008- 2009), then at HfBK Stä delschule, Frankfurt am Main.

Nákup knihy

Jagoda Bednarsky - SHADOWLAND ET AL, Miriam Bettin

Jazyk
Rok vydání
2023
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Titul
Jagoda Bednarsky - SHADOWLAND ET AL
Jazyk
anglicky, německy
Rok vydání
2023
Vazba
pevná
Počet stran
160
ISBN10
3969121655
ISBN13
9783969121658
Série
Anotace
Jagoda Bednarsky's (b. Zlotoryja, Poland, 1988; lives and works in Berlin) paintings are pop-cultural and nostalgic borrowings that she transfers into the grotesque register, with allusions to stereotyped role models between hypermasculinity and matriarchy. Unfurling pastel-colored hillscapes composed of breasts, breast pumps, vulvas, figures from Greek myth, and motifs from flora and fauna, Bednarsky's Shadowland series interrogates traditional ideas of femininity and motherhood. The depiction of the female breast serves as a metaphor referring to the titular " Shadowland," where this part of the body is still perceived as a sexualized object rather than as natural. The title, one might note, is borrowed from a culture magazine first published in New York in 1919 in which the artist spotted Art Deco illustrations that became a vital source of inspiration. Despite the dense aggregation of fraught symbols and referential gestures, the sensual, poetic, and richly imaginative works exude a lightness that stems from their translucency and subtle irony. Jagoda Bednarsky studied fine arts, first at Kunsthochschule Kassel (2008- 2009), then at HfBK Stä delschule, Frankfurt am Main.