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Sterne, Federn, Quasten / Stars, Feathers, Tassels

Die Wiener-Werkstätte-Künstlerin Felice Rix-Ueno (1893–1967) / The Wiener Werkstätte Artist Felice Rix-Ueno (1893–1967)

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  • 144 stránek
  • 6 hodin čtení

Více o knize

Felice Rix-Ueno studied under Josef Hoffmann, a co-founder of the Wiener Werkstätte (1903-1932). Inspired by the Japanese formal language, she formed her own style, which was expressed in particularly imaginative fabric and wallpaper patterns, fashion and home accessories, and wall paintings. After her marriage to the Japanese architect Isaburo Ueno, she moved to Japan in 1926. Here they created joint works that received much attention, such as the Star Bar in Kyoto, which was shown in the famous exhibition Modern Architecture in New York's MoMa in 1932. Felice Rix-Ueno, who was already prominently represented in the successful MAK exhibition Women Artists of the Wiener Werkstätte, is given a substantial monographic treatment for the first time outside Japan with this catalog.

Nákup knihy

Sterne, Federn, Quasten / Stars, Feathers, Tassels, RON MAK

Jazyk
Rok vydání
2023
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Titul
Sterne, Federn, Quasten / Stars, Feathers, Tassels
Podtitul
Die Wiener-Werkstätte-Künstlerin Felice Rix-Ueno (1893–1967) / The Wiener Werkstätte Artist Felice Rix-Ueno (1893–1967)
Jazyk
anglicky, německy
Autoři
RON MAK
Rok vydání
2023
Vazba
měkká
Počet stran
144
ISBN10
3035628408
ISBN13
9783035628401
Série
Anotace
Felice Rix-Ueno studied under Josef Hoffmann, a co-founder of the Wiener Werkstätte (1903-1932). Inspired by the Japanese formal language, she formed her own style, which was expressed in particularly imaginative fabric and wallpaper patterns, fashion and home accessories, and wall paintings. After her marriage to the Japanese architect Isaburo Ueno, she moved to Japan in 1926. Here they created joint works that received much attention, such as the Star Bar in Kyoto, which was shown in the famous exhibition Modern Architecture in New York's MoMa in 1932. Felice Rix-Ueno, who was already prominently represented in the successful MAK exhibition Women Artists of the Wiener Werkstätte, is given a substantial monographic treatment for the first time outside Japan with this catalog.