Knihobot

Ellsworth Kelly - Line Shape Colour / Ligne Forme Couleur

Autoři

  • Kolektiv autorů

Více o knize

This catalog accompanies an exhibition of works by Ellsworth Kelly (1923–2015) at the Lambert Collection in Avignon, focusing on 54 prints donated to the French National Art History Institute by Kelly’s partner, Jack Shear, in addition to previously unexhibited paintings, artist’s books, drawings, and collages. The collection shows how, throughout his career, Kelly experimented with the possibilities that printed images offer, from his first lithographs produced in Paris in 1949 to his monumental works on paper of the 2000s. Color reveals unknown aspects of the artist's work, in particular a series of abstract color lithographs and images of planets produced in Paris in the mid-1960s. Also featured are Kelly’s series of variations from 1988 in which he uses his own face or the faces of friends as a motif.

Nákup knihy

Ellsworth Kelly - Line Shape Colour / Ligne Forme Couleur, Kolektiv autorů

Jazyk
Rok vydání
2019
product-detail.submit-box.info.binding
(pevná)
Jakmile se objeví, pošleme e-mail.

Doručení

Platební metody

Nikdo zatím neohodnotil.Ohodnotit

Titul
Ellsworth Kelly - Line Shape Colour / Ligne Forme Couleur
Jazyk
anglicky
Vydavatel
Actes Sud
Rok vydání
2019
Vazba
pevná
Počet stran
128
ISBN10
2330113242
ISBN13
9782330113247
Série
Anotace
This catalog accompanies an exhibition of works by Ellsworth Kelly (1923–2015) at the Lambert Collection in Avignon, focusing on 54 prints donated to the French National Art History Institute by Kelly’s partner, Jack Shear, in addition to previously unexhibited paintings, artist’s books, drawings, and collages. The collection shows how, throughout his career, Kelly experimented with the possibilities that printed images offer, from his first lithographs produced in Paris in 1949 to his monumental works on paper of the 2000s. Color reveals unknown aspects of the artist's work, in particular a series of abstract color lithographs and images of planets produced in Paris in the mid-1960s. Also featured are Kelly’s series of variations from 1988 in which he uses his own face or the faces of friends as a motif.