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M

The Man Who Became Caravaggio

Autoři

Hodnocení knihy

Více o knize

A New York Times Notable Book of the YearAs vividly and unflinchingly presented herein with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The end of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological war against which, despite all odds, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same." Robb's masterful biography "re-creates the mirror Cravaggio held up to nature," as Hilary Spurling wrote in The New York Times Book Review, "with singular delicacy as well as passion and panache."

Nákup knihy

M, Peter Robb

Jazyk
Rok vydání
2001
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(měkká),
Stav knihy
Dobrá
Cena
269 Kč

Doručení

Platební metody

3,4
Dobrá
28 Hodnocení

Tady nám chybí tvá recenze.

Titul
M
Podtitul
The Man Who Became Caravaggio
Jazyk
anglicky
Autoři
Peter Robb
Vydavatel
Picador
Rok vydání
2001
Vazba
měkká
Počet stran
570
ISBN10
0312274742
ISBN13
9780312274740
Série
Hodnocení
3,4 z 5
Anotace
A New York Times Notable Book of the YearAs vividly and unflinchingly presented herein with "blood and bone and sinew" (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The end of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological war against which, despite all odds, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, "There was art before him and art after him, and they were not the same." Robb's masterful biography "re-creates the mirror Cravaggio held up to nature," as Hilary Spurling wrote in The New York Times Book Review, "with singular delicacy as well as passion and panache."