Mapping Taiwanese Cinema, 2008-20

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Exploring the interplay between filmmaking and mapping, this book delves into Taiwan's cinema from 2008 to 2020, highlighting how filmmakers represent the island's diverse environments. Christopher Brown employs insights from cinema, cartography, and cultural studies to present Taiwanese cinema as a unique form of mapping. Through case studies of various genres, including popular entertainment and LGBTQ+ films, and original interviews with filmmakers, the analysis sheds light on a vibrant yet underappreciated era in Taiwan's film history.