Parametry
- 448 stránek
- 16 hodin čtení
Více o knize
Beginning in 1994 and closing in the first months of 1998, the UK passed through a cultural moment as distinct and as celebrated as any since the war. Founded on rock music, celebrity, boom-time economics and fleeting political optimism - this was "Cool Britannia". Records sold in their millions, a new celebrity elite emerged and Tony Blair's Labour Party found itself, at long last, returned to government. Drawing on interviews from all the major bands - including Oasis, Blur, Elastica and Suede - from music journalists, record executives and those close to government, this title charts the rise and fall of the Britpop movement. John Harris was there; and in his book he argues that the high point of British music's cultural impact also signalled its effective demise - if rock stars were now friends of the government, then how could they continue to matter?
Nákup knihy
The last party : Britpop, Blair and the demise of English rock, John Harris
- Jazyk
- Rok vydání
- 2003
- product-detail.submit-box.info.binding
- (měkká)
Doručení
Platební metody
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- Titul
- The last party : Britpop, Blair and the demise of English rock
- Jazyk
- anglicky
- Autoři
- John Harris
- Vydavatel
- Fourth Estate
- Rok vydání
- 2003
- Vazba
- měkká
- Počet stran
- 448
- ISBN10
- 000713472x
- ISBN13
- 9780007134724
- Série
- Štítky
- Naučná literatura, Umění & Kultura, Společenské vědy, Historické téma, Historie, Skutečné příběhy, Životopisy, Politologie & Politika, Hudební tématika, Hudba, Politika, Životopisy politiků, Populární kultura
- Hodnocení
- 4,1 z 5
- Anotace
- Beginning in 1994 and closing in the first months of 1998, the UK passed through a cultural moment as distinct and as celebrated as any since the war. Founded on rock music, celebrity, boom-time economics and fleeting political optimism - this was "Cool Britannia". Records sold in their millions, a new celebrity elite emerged and Tony Blair's Labour Party found itself, at long last, returned to government. Drawing on interviews from all the major bands - including Oasis, Blur, Elastica and Suede - from music journalists, record executives and those close to government, this title charts the rise and fall of the Britpop movement. John Harris was there; and in his book he argues that the high point of British music's cultural impact also signalled its effective demise - if rock stars were now friends of the government, then how could they continue to matter?