The German Symphony between Beethoven and Brahms

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Focusing on the overlooked contributions to the symphonic genre, Christopher Fifield challenges Carl Dahlhaus's notion of 'dead time' regarding the period between Schumann and Brahms. He explores non-programmatic symphonies from the mid-1820s to mid-1870s, highlighting the significance of various composers who have been unjustly dismissed. This examination reveals the richness and importance of this era in classical music, offering a fresh perspective on symphonic development during a time often considered stagnant.