Knihobot

Cinema and Society: Film and Reform

John Grierson and the Documentary Film Movement

Autoři

Hodnocení knihy

Více o knize

Best known for his documentaries such as "Drifters", "North Sea", and "Housing Problems", John Grierson was regarded as one of the most important figures in the British documentary film movement and one of the most influential of British film theorists. Grierson's conception of film as an instrument of social persuasion was derived from an aesthetic tradition based on philosophical idealism, and his theory of documentary film indicates that aesthetics and social purpose should have equal status.Ian Aitken explains the synthesis of naturalism and modernism which characterizes the idealistic strain of Grierson's social commentary and compares it to such contemporary social reformists as the Next Five Years Group and the Mass Observation researchers. He also draws out aesthetic and intellectual similarities between Grierson, Orwell and Priestley. By underlining the link between film and reform, he clarifies the meaning and significance of Grierson's ideas and the historical role of the documentary film movement. This book should be of interest to students and teachers of film studies and media studies.

Nákup knihy

Cinema and Society: Film and Reform, Ian Aitken

Jazyk
Rok vydání
1992
product-detail.submit-box.info.binding
(měkká),
Stav knihy
Poškozená
Cena
19 Kč

Doručení

Platební metody

3,4
Dobrá
3 Hodnocení

Tady nám chybí tvá recenze.

Titul
Cinema and Society: Film and Reform
Podtitul
John Grierson and the Documentary Film Movement
Jazyk
anglicky
Autoři
Ian Aitken
Vydavatel
Routledge
Rok vydání
1992
Vazba
měkká
Počet stran
256
ISBN10
0415081211
ISBN13
9780415081214
Série
Hodnocení
3,35 z 5
Anotace
Best known for his documentaries such as "Drifters", "North Sea", and "Housing Problems", John Grierson was regarded as one of the most important figures in the British documentary film movement and one of the most influential of British film theorists. Grierson's conception of film as an instrument of social persuasion was derived from an aesthetic tradition based on philosophical idealism, and his theory of documentary film indicates that aesthetics and social purpose should have equal status.Ian Aitken explains the synthesis of naturalism and modernism which characterizes the idealistic strain of Grierson's social commentary and compares it to such contemporary social reformists as the Next Five Years Group and the Mass Observation researchers. He also draws out aesthetic and intellectual similarities between Grierson, Orwell and Priestley. By underlining the link between film and reform, he clarifies the meaning and significance of Grierson's ideas and the historical role of the documentary film movement. This book should be of interest to students and teachers of film studies and media studies.