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J'aime tant fort une

Das Stundenbuch des Königs Charles VIII.

Parametry

  • 255 stránek
  • 9 hodin čtení

Více o knize

An extraordinary work at the interface between manuscript and book Around 1490 the publisher Anthoine Vérard had a precious and richly illustrated hand-written for the French king. At this time the book printing in Paris was already in full bloom, but the traditional book production is given priority here.In the center is the handbook of the hour, which the Paris publisher Vérard had made for King Charles VIII. The Prayer Book is distinguished above all by its ongoing, painted narrations frame all the texts, and with their explanatory lines like the forerunner of the comic strips. A second, but unfinished, handwriting by the artist, which had recently appeared, seems to be related to the royal prayer book. How the two manuscripts could interact and be connected with the king is examined as well as the question of the artistic context in which the painter is to be settled.

Nákup knihy

J'aime tant fort une, Ina Nettekoven

Jazyk
Rok vydání
2016
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Titul
J'aime tant fort une
Podtitul
Das Stundenbuch des Königs Charles VIII.
Jazyk
německy
Vydavatel
Hirmer
Rok vydání
2016
Vazba
pevná
Počet stran
255
ISBN10
3777425834
ISBN13
9783777425832
Série
Anotace
An extraordinary work at the interface between manuscript and book Around 1490 the publisher Anthoine Vérard had a precious and richly illustrated hand-written for the French king. At this time the book printing in Paris was already in full bloom, but the traditional book production is given priority here.In the center is the handbook of the hour, which the Paris publisher Vérard had made for King Charles VIII. The Prayer Book is distinguished above all by its ongoing, painted narrations frame all the texts, and with their explanatory lines like the forerunner of the comic strips. A second, but unfinished, handwriting by the artist, which had recently appeared, seems to be related to the royal prayer book. How the two manuscripts could interact and be connected with the king is examined as well as the question of the artistic context in which the painter is to be settled.