Hodnocení knihy
Parametry
- 256 stránek
- 9 hodin čtení
Více o knize
Insiders/Outsiders , published to accompany a UK-wide arts festival of the same name in 2019, examines the extraordinarily rich and pervasive contribution of refugees from Nazi-dominated Europe to the visual culture, art education, and art-world structures of the United Kingdom. In every field, émigrés arriving from Europe in the 1930s—supported by a small number of like-minded individuals already resident in the UK—introduced a professionalism, internationalism, and bold avant-gardism to a British art world not known for these attributes. At a time when the issue of immigration is much debated, the book serves as a reminder of the importance of cultural cross-fertilization and of the deep, long-lasting, and wide-ranging contribution that refugees make to British life.
Nákup knihy
Insiders/Outsiders, Monica Bohm-Duchen
- Jazyk
- Rok vydání
- 2019
- product-detail.submit-box.info.binding
- (pevná)
Doručení
Platební metody
Tady nám chybí tvá recenze.
- Titul
- Insiders/Outsiders
- Podtitul
- Refugees From Nazi Europe And Their Contribution To British Visual Culture
- Jazyk
- anglicky
- Autoři
- Monica Bohm-Duchen
- Vydavatel
- Lund Humphries Publishers Ltd
- Rok vydání
- 2019
- Vazba
- pevná
- Počet stran
- 256
- ISBN10
- 1848223463
- ISBN13
- 9781848223462
- Série
- Štítky
- Naučná literatura, Umění & Kultura, Historické téma, Historie, Skutečné příběhy, Umění, Vojenské dějiny, Druhá světová válka, Publicistika & Eseje, Velká Británie, Teorie & Dějiny umění, Dějiny umění, Dějiny Evropy, Judaica, Sebrané spisy, Modernismus, Vizuální kultura
- Hodnocení
- 4 z 5
- Anotace
- Insiders/Outsiders , published to accompany a UK-wide arts festival of the same name in 2019, examines the extraordinarily rich and pervasive contribution of refugees from Nazi-dominated Europe to the visual culture, art education, and art-world structures of the United Kingdom. In every field, émigrés arriving from Europe in the 1930s—supported by a small number of like-minded individuals already resident in the UK—introduced a professionalism, internationalism, and bold avant-gardism to a British art world not known for these attributes. At a time when the issue of immigration is much debated, the book serves as a reminder of the importance of cultural cross-fertilization and of the deep, long-lasting, and wide-ranging contribution that refugees make to British life.