The Beauty of Inflections
Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
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Hodnocení knihy
Parametry
- 352 stránek
- 13 hodin čtení
Více o knize
With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
Nákup knihy
The Beauty of Inflections, Jerome J. McGann
- Jazyk
- Rok vydání
- 1985
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- (měkká)
Doručení
Platební metody
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- Titul
- The Beauty of Inflections
- Podtitul
- Literary Investigations in Historical Method and Theory (Clarendon Paperbacks)
- Jazyk
- anglicky
- Autoři
- Jerome J. McGann
- Vydavatel
- Oxford University Press
- Rok vydání
- 1985
- Vazba
- měkká
- Počet stran
- 352
- ISBN10
- 0198117507
- ISBN13
- 9780198117506
- Série
- Štítky
- Naučná literatura, Společenské vědy, Literární věda, Velká Británie, Evropa, Literární kritika, Irsko, Knihy, Kritika, Literární teorie
- Hodnocení
- 3,6 z 5
- Anotace
- With emphasis on the theoretical and methodological, the studies collected here serve a dual purpose: to explore the fault lines that mark various kinds of ahistorical literary studies from New Criticism to Poststructuralism; and to develop a fully elaborated socio-historical criticism for literary works. McGann moves toward his goal by means of four special sets of investigations: the relation between the so-called "autonomous" poem and its political/historical contexts; the relation of reception and history to literary interpretation; the problems of canon and the characterization of period; and the ideological dimensions of both literary works and criticism of such works. Central to his enquiry is the notion that, whether viewed as an experience or as an event, a literary work is a nexus of various concrete social determinations that can be specified as an aesthetic order.
