"Between roughly 1350 and 1500, the English vernacular became established as a language of literary, bureaucratic, devotional and controversial writing; metropolitan artisans formed guilds for the production and sale of books for the first time; and Gutenberg's and eventually Caxton's printed books reached their first English consumers. This book gathers the best new work on manuscript books in England made during this crucial but neglected period. Its authors survey existing research, gather intensive new evidence and develop new approaches to key topics. The chapters cover the material conditions and economy of the book trade; amateur production both lay and religious; the effects of censorship; and the impact on English book production of manuscripts and artisans from elsewhere in the British Isles and Europe. A wide-ranging and innovative series of essays, this volume is a major contribution to the history of the book in medieval England"-- Provided by publisher
Cambridge Studies in Palaeography and Codicology Série
Tato série se ponořuje do studia rukopisů od středověku po renesanci. Zkoumá specifické typy rukopisů, jejich vznik a šíření, ale také jednotlivé kodexy mimořádného významu. Zabývá se také konkrétními regiony, obdobími a písmy, které jsou pro badatele obzvláště zajímavé.



Doporučené pořadí čtení
The Production of Books in England 1350-1500
- 396 stránek
- 14 hodin čtení
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Writing Sounds in Carolingian Europe
- 430 stránek
- 16 hodin čtení
Focusing on the evolution of musical notation in early medieval Europe, this study presents a foundational model that enhances the understanding of subsequent Western notations. It explores the historical context and development of musical symbols, offering insights into their significance and influence on later musical practices. This comprehensive analysis serves as an essential resource for scholars and enthusiasts interested in the origins and transformations of musical writing.