Exploring the construction of femininity in late nineteenth-century France, the book examines Degas's portrayal of ballet dancers alongside the evolving tradition of female portraiture linked to the "new woman." It delves into themes of class, gender, power, and agency, highlighting how these elements manifest differently through distinct artistic languages. Authored by Tamar Garb, a prominent figure in art history, the work offers a critical analysis of visual culture during this transformative period.
