The collection showcases the diverse interests of Angus Trumble, a multifaceted curator and historian. His short pieces blend charm and wit, exploring topics ranging from art and history to personal reflections, including a poignant memoir and his bond with his teddy bear, Brownie. Trumble's eclectic writings invite readers into his world, touching on subjects as varied as floristry, the plague, and war memorials, all presented with scholarly insight and a whimsical touch that reveals his engaging personality.
The book offers a detailed and engaging exploration of Helena Rubinstein's formative years in Australia, highlighting a previously overlooked period in her life. It delves into her journey of establishing a pioneering global cosmetics empire, showcasing her influence on beauty standards and the empowerment of women through employment in her brand, which once employed 30,000 women worldwide.
Supreme enlightenment is often symbolized by the Buddha's serene smile, yet the Victorians viewed open-mouthed smiles as obscene, associating "smiling" with whisky in their slang. Every smile results from universal physical processes, but throughout history, the upward movement of facial muscles has conveyed a myriad of meanings. In this exploration, Angus Trumble intricately combines art, poetry, history, and biology to present the complexities of the human smile. He illustrates his insights with notable artworks, ranging from 18th and 19th-century European paintings to Japanese woodblock prints, examining the cultural and contextual significance of smiling. Trumble poses critical questions about the behavioral and psychological dimensions of smiles: When does smiling in infancy evolve into meaningful communication? Is it exclusive to humans? How does it strengthen our connections? With a blend of erudition, wit, and personal anecdotes, he crafts a rich interdisciplinary narrative. As a recognized figure in the art scenes of Europe and Australia, Trumble challenges entrenched beliefs about smiling. He delves into the darker aspects of smiles through Jusepe de Ribera's work and discusses the nuances of "public" smiles in J.A. Ingres' portrait, highlighting the tension between decorum and beauty in this captivating analysis.
