Focusing on the diverse interpretations of feminism within Australian media, this book offers a detailed exploration of gender, feminism, and representation politics. It presents a critical analysis of how postfeminism is contextualized in various media forms, making it a vital resource for scholars and readers interested in contemporary feminist discourse and its implications in society.
The study explores the phenomenon of celebrity feminism, highlighting how bestselling non-fiction authors have shaped its visibility in the media. Anthea Taylor analyzes the impact of these prominent figures, arguing that their works serve as significant cultural touchstones in the feminist movement. Through this lens, the book examines the intersection of fame and feminist discourse, offering insights into how these 'blockbuster' authors influence public perception and understanding of feminism today.
Exploring the influence of a renowned feminist figure, this book utilizes previously untapped archival materials to highlight the significance of Germaine Greer's celebrity feminism. It serves as a vital resource for scholars across various fields, including Feminist Studies, Gender Studies, Philosophy, and Sociology, shedding light on the intersection of fame and feminist discourse.
Helen Garner’s The First Stone (1995), a ‘non-fictional’ book about a sexual harassment case at a University of Melbourne residential college, captured and maintained the Australian media’s attention in an unprecedented way. Its publication sparked extensive media commentary regarding an alleged generational war within Australian feminism. While talkback radio, current affairs television, and cultural events such as literary festivals and forums all took part in this heated public contest over the meanings of feminism, this book reconsiders how the debate played out in the Australian print media. Analysing texts as diverse as feature articles and opinion pieces, non-fiction by young feminists, letters to the editor, celebrity feminist profiles and articles, as well as The First Stone itself, this book offers the first in-depth analysis of this debate as a ‘media event’. Refusing to adopt either a condemnatory or celebratory approach to the complex relationship between feminism and media culture, it argues that the First Stone media event is indicative of the limitations and the opportunities proffered by the mediatisation of contemporary feminism. Mediating Australian Feminism provides insights that will be valuable to scholars interested in feminism, journalism and news culture, literary reception, and the politics of media representation.
