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Pierre-Auguste Renoir

    25. únor 1841 – 3. prosinec 1919
    Artists By Themselves: Renoir
    Renoir
    Renoir
    Renoir Landscapes
    Pierre-Auguste Renoir 1841-1919
    Renoir pohlednice
    • Pierre-Auguste Renoir 1841-1919

      • 95 stránek
      • 4 hodiny čtení

      Kdo se v některé z velkých sbírek francouzského malířství 19. století dostane před obrazy Pierra-Augusta Renoira, snadno pocítí, že ho zde vítá to nejradostnější a nejslavnostnější z dlouhých dějin malířství. Malířské umění jako obšťastňování, jako svátek pro oko - tak je možno popsat velikost i meze jeho malířství. Profesionálně provedená obrazová publikace velmi kvalitního vydavatelství Taschen představuje tohoto impresionistického malíře a zasvěceně přibližuje jeho život, mistrovská díla i pozdní styl.

      Pierre-Auguste Renoir 1841-1919
    • Renoir Landscapes

      1865-1883

      • 296 stránek
      • 11 hodin čtení

      Pierre-Auguste Renoir (1841–1919) was one of the most audacious and original landscape artists of his age. Throughout his career, he continually experimented with composition, light, paint handling, and pictorial structure in innovative new ways that challenged traditional––and contemporary––painting. He taught himself by working side-by-side with fellow Impressionist masters Monet and Sisley, and in the 1870s began to define his distinctive landscape style of quick, silvery brushstrokes. By the end of the decade he had moved decisively in the direction of unparalleled painterly freedom.This stunning book is the first to examine Renoir’s landscape art in depth, tracing its evolution from the beginning of his career through his Impressionist period and the early 1880s, when he began to incorporate new landscape motifs and new levels of coloristic intensity in paintings after traveling to Algeria and Italy. With over 200 illustrations, a detailed chronology, and bibliography, the book includes essays by highly distinguished scholars that discuss the range and importance of these works and present many fresh discoveries. They also place Renoir’s landscapes in the overall context of the genre in 19th-century France, revealing how his experiments were radical and––in ways that have not yet been fully acknowledged––influential on the later development of modern art.

      Renoir Landscapes
      4,5
    • Sun-kissed, charming, and sensual, the work of Pierre-Auguste Renoir champions painting at its most lighthearted and luminous. This essential artist introduction selects key works from his extensive oeuvre to explore his Impressionist innovations as much as his traditions in pursuit of beauty, harmony, and the female form.

      Renoir
      4,4
    • Renoir

      Hayward Gallery, London, 30 January-21 April 1985, Galeries nationales du Grand palais, Paris, 14 May-2 September 1985, Museum of Fine Arts, Boston, 9 October 1985-5 January 1986

      • 324 stránek
      • 12 hodin čtení

      Produced for the museum exhibitions in 1985, book is full of the colorful paintings of Renoir.

      Renoir
      4,5
    • Artists By Themselves: Renoir

      • 80 stránek
      • 3 hodiny čtení

      This book is in very good condition, has dust jacket which is in good shape.

      Artists By Themselves: Renoir
      4,4
    • French painter Pierre-Auguste Renoir (1841-1919) enjoyed life to a degree seemingly denied most artists, and this joie de vivre is reflected in the lighthearted, sensual, and luminous elements of his work. Full-color reproductions and thorough text provide a quick yet solid introduction to this master.

      Pierre-Auguste Renoir, 1814-1919 : a dream of harmony
      4,2
    • Getty Museum Studies on Art: Pierre-Auguste Renoir

      La Promenade

      • 96 stránek
      • 4 hodiny čtení

      John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.

      Getty Museum Studies on Art: Pierre-Auguste Renoir
      3,2