Knihobot

Garry Mulholland

    This Is Uncool
    Fear of music
    • If there had been a music book of the year award in 2002 Garry Mulholland's This is Uncool: The Greatest 500 Singles Since Punk and Disco would have walked away with it. The review coverage was extremely impressive. Virtually unlike any other music journalist in this country Garry Mulholland has that knack of writing about music with such clarity that brings it all back again, and has you searching for some long-lost dusty record. But despite going to great lengths to demonstrate the superiority of the single format over the full length album in This Is Uncool, the next logical step is Fear of Music: the Greatest 261 Albums Since Punk and Disco, which roughly follows the original successful, chronological formula of This Is Uncool but, naturally, focuses on albums rather than singles. Or, in Garry Mulholland's words: 'Entire albums don't slap you in the face when blasted out of a radio in the hairdressers. You have to buy them, listen to them, and form a deeper relationship . . .' The book features plenty of Mulholland's witty, irreverent and insightful criticism, taking in classics from the last thirty years by everyone from Television, David Bowie and The Smiths, through to Eminem, Snoop Doggy Dog, Earth, Wind and Fire and The Prodigy.

      Fear of music2006
      3,8
    • This Is Uncool

      The 500 Greatest Singles Since Punk and Disco

      • 456 stránek
      • 16 hodin čtení

      In 1977, the Sex Pistols burst on the scene with "Anarchy in the UK," and transformed popular music forever. Along with that song, every one of these singles helped reshape style, language, and performance. This is the story of how music and the world change, how bands reach a peak and dominate the scene briefly before fading away, about the undeniable power of certain records ("Smells Like Teen Spirit," for example). Here are punk and grunge, disco and rock, funk and electronica, rap and hip-hop. Every incisive, illuminating, and outspoken essay defies the accepted standpoint of music journalism. From Elvis Costello's Alison and The Bee Gees' Stayin' Alive to Bjork's Hyperballad and Missy Elliot's The Rain, it's a truly provocative read.

      This Is Uncool2002