Tento britský autor prozkoumává složitost lidské psychiky a společenských mechanismů prostřednictvím silného a pronikavého vyprávění. Jeho díla, ovlivněná raným zájmem o film a kritickým pohledem na realitu, často odhalují napětí mezi uměleckými aspiracemi a každodenními výzvami. Lambertův styl se vyznačuje precizností a hloubkou, což čtenářům nabízí poutavý vhled do hlubin lidské zkušenosti. Jeho psaní je poznamenáno touhou po autenticitě a sociálním realismem, což z něj činí významnou postavu moderní literatury.
The biography delves into the intricate life and career of Nazimova, highlighting her complexity, allure, and significance in the artistic realm. It paints a vivid portrait of her as a multifaceted individual, exploring both her glamorous persona and the darker elements that shaped her legacy. Through detailed storytelling, the book captures the essence of her contributions and the impact she had on her field.
America watched Natalie Wood grow up on the silver screen. Her childhood is still there to see in Miracle on 34th Street. Her adolescence in Rebel Without a Cause. Her coming of age? Still playing in Splendor in the Grass and West Side Story and countless other timeless movies. From the moment Natalie Wood made her cinematic debut in 1946 in Tomorrow Is Forever, to her shocking, untimely death in 1981, the decades of her life are punctuated by movies that even today, reside in the hearts and imagination of the American public. Acclaimed novelist, biographer, critic and screenwriter Gavin Lambert, whose twenty-year friendship with Natalie Wood began when she starred in the movie adaptation of his novel Inside Daisy Clover, recounts her extraordinary story. He relays to us details about her personal life, from her love affairs to her suicide attempt at twenty-six, the birth of her children to her friendships, her struggles as an actress to finally, her tragic and mysterious death at the age of forty-three. For the first time, everyone who was close to Natalie Wood speaks freely -- including her husbands, Robert Wagner and Richard Gregson, famously private people like Warren Beatty, intimate friends such as playwright Mart Crowley, directors Robert Mulligan and Paul Mazursky, and Leslie Caron, each of whom told the author stories about this remarkable woman who was so full of life but always on the brink of despair.
First published in 1971, The Goodby People is perhaps the greatest novel ever written about post-Manson, pre-Disney Los Angeles. "His elegant, stripped-down prose caught the last gasp of Old Hollywood in a way that has yet to be rivalled." (Armistead Maupin) "The bisexual draft dodger living on the skids, the glamorous young widow in search of enlightenment, the skinny gamine from out of town who wants to make it in the movies . . ."* These are the people who inhabit Gavin Lambert's mordant portrait of Southern California at the end of the 1960s: forever swapping addresses, lovers, and dreams. They live in extraordinary, suffocating wealth; or else flirting with a Mansonesque cult; or else in a fantasy where golden-age actresses make ghostly visitations to comment on their daily life. All that binds them together is their common sense of aimlessness--and the clear, judgment-free eye of a British author trying his best to be a friend to each. Cool, incisive, yet essentially kind, and very much ahead of its time, The Goodby People unfolds "in the yawning chasm between real life in Los Angeles and the fantasies manufactured by its dominant business" (*Gary Indiana), and stands as Gavin Lambert's masterpiece.