Paula Foxová byla americká autorka, jejíž díla se často zabývala složitostí mezilidských vztahů a hledáním identity. Její psaní se vyznačovalo pronikavou psychologií postav a jemným vykreslením lidské zkušenosti. Foxová mistrně proplétala témata ztráty, vykoupení a odolnosti, čímž čtenářům nabízela hluboce dojemné a myšlenkově podnětné příběhy. Její jedinečný hlas v literatuře zanechal nesmazatelnou stopu.
Set against the harrowing backdrop of the transatlantic slave trade, a thirteen-year-old boy named Jessie finds himself kidnapped and aboard a ship bound for Africa. Tasked with playing music during the exercise periods for the enslaved individuals, he grapples with the brutal reality of his situation. As he navigates the moral complexities of his role, Jessie must summon courage and resilience to confront the horrors around him and seek a way to survive.
A Great American Novel -- from the author of 'Borrowed Finery'. Otto and Sophie Bentwood live childless in a renovated Brooklyn brownstone. The complete works of Goethe line their bookshelf, their stainless steel kitchen is newly installed, and their Mercedes is parked outside. After Sophie is bitten on the hand while trying to feed a half-starved neighbourhood cat, a series of small and ominous disasters begin to plague their lives, revealing the faultlines and fractures in a marriage -- and a society -- wrenching itself apart. Includes an introduction by Jonathan Franzen.
Eleven-year-old Clay Garrity is on his own. His father lost his job and left the family. Now Clay's mother is gone from their welfare hotel. Clay is homeless and out on the streets of New York. In the park he meets two homeless men. Buddy and Calvin become Clay's new family during those harsh winter weeks. But the streets are filled with danger and despair. If Clay leaves the streets he may never find his parents again. But if he stays on the streets he may not survive at all.
One of the New York Times' 25 Most Significant New York City Novels From the Last 100 Years "A towering landmark of postwar Realism…A sustained work of prose so lucid and fine it seems less written than carved." —David Foster Wallace Otto and Sophie Bentwood live in a changing neighborhood in Brooklyn. Their stainless-steel kitchen is newly installed, and their Mercedes is parked curbside. After Sophie is bitten on the hand while trying to feed a stray, perhaps rabies-infected cat, a series of small and ominous disasters begin to plague the Bentwoods' lives, revealing the fault lines and fractures in a marriage—and a society—wrenching itself apart. First published in 1970 to wide acclaim, Desperate Characters stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature — a novel that, according to Irving Howe, ranks with "Billy Budd, The Great Gatsby, Miss Lonelyhearts, and Seize the Day."
And Other Writings on Complex Mother-Daughter Relationships
322 stránek
12 hodin čtení
A collection of writings by women on the tangled bonds they share with their(often) less-than-perfect mothers. Every woman has something to say on the subject of her mother. In fact, many of us spend our lives trying to figure out just how we are like-or unlike-them. And yet, as intricate as the ties that bind mothers and daughters can be, most women never let go of the desire to really know their mothers. In How I Learned to Cook and Other Writings on Complex Mother-Daughter Relationships, women authors explore what is perhaps the most complicated of family relationships. In this elegant collection of writings, daughters describe their relationships with mothers whose own lives sometimes stood in the way of their ability to fill society's ideal of what a good mother should be. With critically acclaimed authors-including Jamaica Kincaid, Paula Fox, and Alice Walker-sharing the page with emerging writers, How I Learned to Cook proves that every daughter has much to discover and understand about her mother.
In this elegant and affecting companion to her “extraordinary” memoir, Borrowed Finery, a young writer flings herself into a Europe ravaged by the Second World War (The Boston Globe) In 1946, Paula Fox walked up the gangplank of a partly reconverted Liberty with the classic American hope of finding experience—or perhaps salvation—in Europe. She was twenty-two years old, and would spend the next year moving among the ruins of London, Warsaw, Paris, Prague, Madrid, and other cities as a stringer for a small British news service. In this lucid, affecting memoir, Fox describes her movements across Europe’s scrambled borders: unplanned trips to empty castles and ruined cathedrals, a stint in bombed-out Warsaw in the midst of the Communist election takeovers, and nights spent in apartments here and there with distant relatives, friends of friends, and in shabby pensions with little heat, each place echoing with the horrors of the war. A young woman alone, with neither a plan nor a reliable paycheck, Fox made her way with the rest of Europe as the continent rebuilt and rediscovered itself among the ruins. Long revered as a novelist, Fox won over a new generation of readers with her previous memoir, Borrowed Finery. Now, with The Coldest Winter, she recounts another chapter of a life seemingly filled with stories—a rare, unsentimental glimpse of the world as seen by a writer at the beginning of an illustrious career.
Ein kleines literarisches Meisterwerk Weil Emmas Vater im Krankenhaus liegt und von ihrer Mutter versorgt wird, muss Emma eine Zeitlang bei Verwandten wohnen, die sie kaum kennt. Sie spürt schon bei ihrer Ankunft, dass sie nicht willkommen ist, obwohl ihr Onkel sich sehr um sie bemüht. Aber ihre Tante ist ein Ekel. Nur wenn Emma am Strand spielt, kann sie dem Alltag entfliehen. Meisterlich gelingt es Paula Fox, die gespannte Atmosphäre und Emmas Gefühle in Worten wiederzugeben.
