Celia Hawkesworth Pořadí knih (chronologicky)

A sweeping epic by Nobel Prize-winner Ivo Andrić about power, identity, and Islam set in 19th-century Ottoman Bosnia and Istanbul. Omer Pasha Latas is set in nineteenth-century Sarajevo, where Muslims and Christians live in uneasy proximity while entertaining a common resentment of faraway Ottoman rule. Omer is the seraskier, commander in chief of the Sultan’s armies, and as the book begins he arrives from Istanbul, dispatched to bring Sarajevo’s landowners to heel, a task that he accomplishes with his usual ferocity and efficiency. And yet the seraskier’s expedition to Bosnia is a time of reckoning for him as well: he was born in the Balkans, a Serb and a subject of the Austro-Hungarian Empire, a bright boy who escaped his father’s financial disgrace by running away and converting to Islam. Now, at the height of his power, he heads an army of misfits, adventurers, and outcasts from across Europe and Asia, and yet wherever he goes he remains a stranger. Ivo Andrić, who won the Nobel Prize in 1961, is a spellbinding storyteller and a magnificent stylist, and here, in his final novel, he surrounds his enigmatic central figure with many vivid and fascinating minor characters, lost souls and hopeless dreamers all, in a world that is slowly sliding towards disaster. Omer Pasha Latas combines the leisurely melancholy of Joseph Roth’s The Radetzky March with the stark fatalism of an old ballad.

This interactive course offers a step-by-step approach to both written and spoken Serbian, equipping students with the skills to communicate confidently and effectively in various everyday situations.

The pieces collected in Lend Me Your Character—the novella "Steffie Cvek in the Jaws of Life" and a collection of short stories entitled Life Is a Fairy Tale— solidify Dubravka Ugresic's reputation as one of Eastern Europe's most playful and inventive writers. From the story of Steffie Cvek, a harassed and vulnerable typist whose life is shaped entirely by clichés as she searches relentlessly for an elusive romantic love in a narrative punctuated by threadbare advice from women's magazines and constructed like a sewing pattern, to "The Kharms Case," one of Ugresic's funniest stories ever about the strained relationship between a persistent translator and an unresponsive publisher, the pieces in this collection are always smart and endlessly entertaining.