Knihobot

The scandal of self-contradiction

Hodnocení knihy

Parametry

  • 327 stránek
  • 12 hodin čtení

Více o knize

Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a „euro-eccentric“ and multifaceted Pasolini of great interest for the present.

Nákup knihy

The scandal of self-contradiction, Luca Di Blasi

Jazyk
Rok vydání
2012
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Doručení

Platební metody

4,0
Velmi dobrá
1 Hodnocení

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Titul
The scandal of self-contradiction
Jazyk
anglicky
Vydavatel
Turia + Kant
Rok vydání
2012
Počet stran
327
ISBN10
3851326814
ISBN13
9783851326819
Série
Hodnocení
4 z 5
Anotace
Pier Paolo Pasolini (1922-1975) was both a writer and filmmaker deeply rooted in European culture, as well as an intellectual who moved between different traditions, identities and positions. Early on he looked to Africa and Asia for possible alternatives to the hegemony of Western Neocapitalism and Consumerism, and in his hands the Greek and Judeo-Christian Classics morphed into unsettling multistable figures constantly shifting between West and East, North and South, the present and the past, rationality and myth, identity and otherness. The contributions in this volume, which belong to different intellectual and disciplinary fields, are bound together by a fascination for Pasolini's ability to recognize contradictions, to intensify and multiply them, as well as to make them aesthetically and politically productive. What emerges is a „euro-eccentric“ and multifaceted Pasolini of great interest for the present.