Miláček čtenářů je právě vyprodaný
Více o knize
A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .
Nákup knihy
The Birds and Other Stories, Daphne Du Maurier
- Jazyk
- Rok vydání
- 1973
- product-detail.submit-box.info.binding
- (sešitová)
Jakmile se objeví, pošleme e-mail.
Doručení
Platební metody
Tady nám chybí tvá recenze.
- Jazyk
- anglicky
- Autoři
- Daphne Du Maurier
- Vydavatel
- Longman
- Rok vydání
- 1973
- Vazba
- sešitová
- Počet stran
- 92
- ISBN10
- 058253822X
- ISBN13
- 9780582538221
- Série
- Štítky
- Beletrie, Detektivky & Thriller, Thrillery, Rodina, Klasika, Povídky, Napětí, Horor, Vraždy, Anglie, Anglická literatura, Zfilmováno, Ztráta, Strach, Hororové povídky, Ptáci, Gotika, Gotický horor, Vyprávění, Divoká zvířata, Benátky, Hrůza, děs, Zvířata zabijáci, Vdovci, Anglické povídky
- První vydání
- 1987
- Původní název
- Classics of the Macabre
- Hodnocení
- 3,95 z 5
- Anotace
- A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .