Vulturnus

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When published in 1928, Vulturnus represented a new direction in Léon-Paul Fargue’s writing: a shift from the lyrical post-Symbolist melancholy of his early poetry to something more grandiose, dynamic, and cosmic. A long prose poem, for lack of a better term, but one that weaves together philosophical dialogue, metaphysical meditation, and mournful reminiscence delivered in a language that spirals into scientific terminology and Rabelaisian neologism.Jolted into a nightmare aboard a long-distance train journey, the author finds himself alone yet not alone, his mind pinned like an insect, as he sets off on a journey that takes him from his hometown to other existences, accompanied by the fanfare of the planets and two companions—Pierre Pellegrin and Joseph Aussudre—who guide him as Virgil did Dante, though not through hell, but to a sketched-out terrestrial paradise in quest of a moment of eternity: a syphilis of the ether, “one foot godward, two steps brute.”