Kandis Williams

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Williams utilizes her dramaturgical background to create a framework that reflects the biopolitical economies shaping the interpretation of movement. Her exploration of the ties between popular culture and myth incorporates themes of anatomy, regions of the Black diaspora, and the dynamics of communication and obfuscation. Through her work, Williams articulates an alternative language that critically examines the perception of Black moving bodies, highlighting the often-inexpressible violence they endure in dance and beyond. The publication features contributions from Ebony L. Haynes, curator of 52 Walker, and artist-writer Hannah Black, alongside a compelling dialogue between Williams and choreographer Okwui Okpokwasili. It acts as a complement to the exhibition, showcasing high-quality illustrations of the artworks and rich archival materials. The 'Clarion' series, which this publication is part of, extends the exhibitions at 52 Walker, emphasizing conceptual and research-driven artists from diverse backgrounds and career stages. Named after the Clarion Science Fiction and Fantasy Writers' Workshop, where Octavia Butler honed her craft, the series aims to reflect her profound influence on Black culture. Each publication features a sleek, encyclopedia-like design with color reproductions, an introduction by Haynes, commissioned essays, artist texts, and archival content. Exhibition: 52 Walker, New York, USA (28.10.2021