Architecture and Objects

Více o knize

Thinking through object-oriented ontology and the work of architects like Rem Koolhaas and Zaha Hadid, this book explores new concepts in the relationship between form and function. Object-oriented ontology has gained traction among architectural theorists and practitioners, and this text marks the first exploration of architecture by its founder, Graham Harman. He deepens the dialogue between architecture and philosophy, offering insights into OOO’s impact on contemporary architectural language and practice. Harman begins by critiquing the influential ideas of Heidegger, Derrida, and Deleuze, highlighting their limitations for architecture. He argues that architecture can leverage OOO to rethink traditional views of form and function, which often emphasize their relational aspects—visual style and stated purpose—thus constraining architectural possibilities. By proposing de-relationalized concepts of zero-form and zero-function, Harman challenges Immanuel Kant’s dismissal of architecture as “impure.” Through critical engagement with Peter Eisenman’s writings and fresh assessments of works by Koolhaas, Frank Gehry, and Zaha Hadid, the book presents a bold vision for architecture. Harman posits that overcoming the challenge of “zeroing” function could position architecture at the forefront of revitalizing exhausted aesthetic paradigms.