Knihobot

Oloid

Form of the Future

Parametry

  • 160 stránek
  • 6 hodin čtení

Více o knize

All about a geometric body that has not yet revealed all its secrets and potentials In 1929, the sculptor, inventor and researcher Paul Schatz (1898-1971) discovered the geometric form of the oloid. Schatz' lifework was characterized by this fundamentally new body, which emerged from movement, for which he sought and found new and pioneering applications for a number of decades. This monograph, rich in images and generally understandable, shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element. This is true for the fine arts and design, in technology and research, in architecture, philosophy or music. Close esthetic references to the contemporaneous sculptures of Naum Gabo, Constantin Brancusi, or Henry Moore are just as surprising as current homages to Paul Schatz by artists such as Ólafur Elíasson. As simple as it is complex, at the same time elegant and powerful, the oloid proves to be a universal body that has not yet revealed all its secrets and potentials.

Nákup knihy

Oloid, Paul Schatz

Jazyk
Rok vydání
2023
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Titul
Oloid
Podtitul
Form of the Future
Jazyk
anglicky
Vydavatel
Niggli
Rok vydání
2023
Vazba
pevná
Počet stran
160
ISBN10
3721210255
ISBN13
9783721210255
Série
Anotace
All about a geometric body that has not yet revealed all its secrets and potentials In 1929, the sculptor, inventor and researcher Paul Schatz (1898-1971) discovered the geometric form of the oloid. Schatz' lifework was characterized by this fundamentally new body, which emerged from movement, for which he sought and found new and pioneering applications for a number of decades. This monograph, rich in images and generally understandable, shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element. This is true for the fine arts and design, in technology and research, in architecture, philosophy or music. Close esthetic references to the contemporaneous sculptures of Naum Gabo, Constantin Brancusi, or Henry Moore are just as surprising as current homages to Paul Schatz by artists such as Ólafur Elíasson. As simple as it is complex, at the same time elegant and powerful, the oloid proves to be a universal body that has not yet revealed all its secrets and potentials.