
Více o knize
This stunning new collection from Nii Ayikwei Parkes features poems which embrace play, love and the ephemeral such as water bodies, blood/heritage, history and gossip; and a healthy dose of music and popular culture. Concerned with the phase of life sometimes referred to as the midlife crisis, The Geez navigates the blurred lines between age and youth; the real and the imagined; what is seen and what is – what catches the gaze and what lies beneath. Conceived in four sections, the collection moves from play, to love, to gossip and - finally - to explorations of the intersections of self and contemporary culture, including a segment inspired by blues legends, riffing on the myth of the crossroads, as well as an eleven-part love letter to the African diaspora – specifically African-Americans, whose sacrifices have contributed to the still-suppressed freedoms of Black folk globally. A number of the poems in The Geez are written in a form called the Gimbal, which was developed by Nii – initially to work through his enduring grief at the loss of his father. It evokes the workings of a gyroscope – spinning but stable –a state that echoes the liminality that anchors this collection.
Nákup knihy
The Geez, Nii Parkes
- Jazyk
- Rok vydání
- 2020
- product-detail.submit-box.info.binding
- (měkká)
Doručení
Platební metody
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- Titul
- The Geez
- Jazyk
- anglicky
- Autoři
- Nii Parkes
- Vydavatel
- Peepal Tree Press Ltd
- Rok vydání
- 2020
- Vazba
- měkká
- Počet stran
- 72
- ISBN10
- 1845234774
- ISBN13
- 9781845234775
- Série
- Hodnocení
- 4,1 z 5
- Anotace
- This stunning new collection from Nii Ayikwei Parkes features poems which embrace play, love and the ephemeral such as water bodies, blood/heritage, history and gossip; and a healthy dose of music and popular culture. Concerned with the phase of life sometimes referred to as the midlife crisis, The Geez navigates the blurred lines between age and youth; the real and the imagined; what is seen and what is – what catches the gaze and what lies beneath. Conceived in four sections, the collection moves from play, to love, to gossip and - finally - to explorations of the intersections of self and contemporary culture, including a segment inspired by blues legends, riffing on the myth of the crossroads, as well as an eleven-part love letter to the African diaspora – specifically African-Americans, whose sacrifices have contributed to the still-suppressed freedoms of Black folk globally. A number of the poems in The Geez are written in a form called the Gimbal, which was developed by Nii – initially to work through his enduring grief at the loss of his father. It evokes the workings of a gyroscope – spinning but stable –a state that echoes the liminality that anchors this collection.