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Ein Bild sind viele Bilder

(Deutsch/Englisch)

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Metamorphoses of Painting. For Thomas Nolden (born 1965; lives and works in Ammerbuch, Germany), the process through which his painting is created determines the work. Over-paintings are the rule rather than the exception for the artist. In his new complex of works, for the first time, Nolden shows the metamorphoses that two of his paintings have undergone. In twelve photographic reproductions each, selected from approximately 500 states, which the artist recorded photographically in the studio for several months, the processes of image formation, form, and constant reinterpretation are revealed. In Nolden's work, painting becomes an action and figuration a struggle around the letting-go of images. In the twenty-four-page booklet, Nolden unveils his painterly practice. With the photographic reproduction of the past painterly states of his works, he also raises questions about the value of the original. Accompanying texts were written by Wibke von Bonin and Wolfgang Ullrich.

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Ein Bild sind viele Bilder, Thomas Nolden

Jazyk
Rok vydání
2021
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Titul
Ein Bild sind viele Bilder
Podtitul
(Deutsch/Englisch)
Jazyk
anglicky, německy
Rok vydání
2021
Vazba
pevná
Počet stran
24
ISBN10
3954763087
ISBN13
9783954763085
Série
Anotace
Metamorphoses of Painting. For Thomas Nolden (born 1965; lives and works in Ammerbuch, Germany), the process through which his painting is created determines the work. Over-paintings are the rule rather than the exception for the artist. In his new complex of works, for the first time, Nolden shows the metamorphoses that two of his paintings have undergone. In twelve photographic reproductions each, selected from approximately 500 states, which the artist recorded photographically in the studio for several months, the processes of image formation, form, and constant reinterpretation are revealed. In Nolden's work, painting becomes an action and figuration a struggle around the letting-go of images. In the twenty-four-page booklet, Nolden unveils his painterly practice. With the photographic reproduction of the past painterly states of his works, he also raises questions about the value of the original. Accompanying texts were written by Wibke von Bonin and Wolfgang Ullrich.