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Ebbenhout

Afrikaanse ontmoetingen

Hodnocení knihy

Více o knize

In 1957, Ryszard Kapuscinski arrived in Africa to witness the beginning of the end of colonial rule as the first African correspondent of Poland's state newspaper. From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.

Jazyk

Skladem máme celkem knihy Ebbenhout (2008).

Nákup knihy

Ebbenhout, Gerard Rasch, Ryszard Kapuściński

Jazyk
Rok vydání
2008
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(měkká),
Stav knihy
Dobrá
Cena
159 Kč

Doručení

Platební metody

4,4
Velmi dobrá
2320 Hodnocení

Tady nám chybí tvá recenze.

Titul
Ebbenhout
Podtitul
Afrikaanse ontmoetingen
Jazyk
nizozemsky
Vydavatel
Arbeiderspers
Rok vydání
2008
Vazba
měkká
Počet stran
306
ISBN10
9029525312
ISBN13
9789029525312
Série
První vydání
1998
Původní název
Heban
Hodnocení
4,4 z 5
Anotace
In 1957, Ryszard Kapuscinski arrived in Africa to witness the beginning of the end of colonial rule as the first African correspondent of Poland's state newspaper. From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.