Více o knize
Francesco Clemente's new Three Rainbows project had a prolonged gestation; for years he had wanted to use watercolor and to paint rainbows, but only recently did the moment ripen. Three Rainbows began as three 60-foot long rainbow paintings--probably the largest watercolors ever made. For Clemente, whose attraction to given forms (such as the mandala) has long formed an integral part of his iconography, the rainbow suggests a number of important it is a bridge (and therefore a structure that brings things together), a phenomenon that occurs after a period of darkness (Clemente's works of recent years had darkened noticeably) and a reversible image capable of leading the eye in opposite directions. The artist's affinity for watercolor derives in part from the medium's immediacy--an ideal vehicle for Allen Ginsberg's "first thought, best thought"--and these works betray his spontaneity and joy in making them.
Nákup knihy
Francesco Clemente, Derek Walcott
- Jazyk
- Rok vydání
- 2009
- product-detail.submit-box.info.binding
- (pevná)
Doručení
Platební metody
Tady nám chybí tvá recenze.
- Titul
- Francesco Clemente
- Jazyk
- anglicky
- Autoři
- Derek Walcott
- Vydavatel
- Charta
- Rok vydání
- 2009
- Vazba
- pevná
- Počet stran
- 32
- ISBN10
- 8881587459
- ISBN13
- 9788881587452
- Série
- Hodnocení
- 5 z 5
- Anotace
- Francesco Clemente's new Three Rainbows project had a prolonged gestation; for years he had wanted to use watercolor and to paint rainbows, but only recently did the moment ripen. Three Rainbows began as three 60-foot long rainbow paintings--probably the largest watercolors ever made. For Clemente, whose attraction to given forms (such as the mandala) has long formed an integral part of his iconography, the rainbow suggests a number of important it is a bridge (and therefore a structure that brings things together), a phenomenon that occurs after a period of darkness (Clemente's works of recent years had darkened noticeably) and a reversible image capable of leading the eye in opposite directions. The artist's affinity for watercolor derives in part from the medium's immediacy--an ideal vehicle for Allen Ginsberg's "first thought, best thought"--and these works betray his spontaneity and joy in making them.